GEORGIA BEAUMONT | SELECTED AVAILABLE WORKS
Georgia Beaumont
Quatrefoil I
2024
20 cm x 20 cm
Oil on plywood panel
£312 including vat
10 x interest-free instalments of £31.20 with Own Art
Georgia Beaumont
Butter Pansy (Triptych)
2025
Oil on plywood panel
13 x 18 x 2 cm each
5.12 x 7.09 x 0.79 inches each
£800 including vat
10 x interest-free instalments of £80 with Own Art
Georgia Beaumont
Cradle I
2025
50 cm x 40 cm | 19.7 x 15.7
Oil on wood panel
£870 including vat
10 x interest-free instalments of £87 with Own Art
Please contact us for an international shipping quote
Georgia Beaumont
Cone
2025
50 cm x 40 cm | 19.7 x 15.7
Oil on wood panel
£870 including vat
10 x interest-free instalments of £87 with Own Art
Please contact us for an international shipping quote
Georgia Beaumont
Cradle II
2025
50 cm x 40 cm | 19.7 x 15.7
Oil on wood panel
£870 including vat
10 x interest-free instalments of £87 with Own Art
Please contact us for an international shipping quote
Georgia Beaumont
Gentle Web
2025
Oil on plywood panel
61.5 x 91.5 x 2 cm
24.21 x 36.02 x 0.79 inches
£2280 including vat
10 x interest-free instalments of £228 with Own Art
Please contact us for an international shipping quote
Georgia Beaumont
Filament
2025
Oil on plywood panel
61.5 x 91.5 x 2 cm
24.21 x 36.02 x 0.79 inches
£2280 including vat
10 x interest-free instalments of £228 with Own Art
Please contact us for an international shipping quote
Georgia Beaumont
Living In A Lullaby
2025
100 x 120 cm
39.37 x 47.24 inches
Oil on wood panel
Georgia Beaumont (b.1996) is a UK based painter. Her work explores floral forms - with an acute focus on the plasticity of their structures - her practice is a tool to become more deeply acquainted with the bounds of the botanical world she builds.
The dancing botanical shapes are a celebration of progress, fecundity and the capacity for new life. She regards the natural world as a mirror image of our own inner landscape of thought and emotion. For this reason, observing nature, researching its symbolism and finding solace in its cyclical constancy, is essential to her practice.
The English seasons and the curling structures found in its ubiquitous countryside greenery are an endless and rich reference point, seminal to her paintings. These studies are fused with memories and images in the mind's eye to create the compositions. The floral forms are supplemented by intuitive brush strokes, transparent veils and contrasting rigid opaque stems. Georgia holds these to be physical manifestations of a kinship to the natural world, as their instinctual, unselfconscious energy echoes nature’s output.
Georgia’s paintings have been exhibited in London, Barcelona, Milan, Mexico City and Sydney and are held in private collections internationally.




























































